Browsing an antique store a year ago, I found a wonderful shoemaking hammer. It was an interesting shape, and when I held the tool, I could literally feel the connection this tool had had with its previous owner. Whoever had owned this tool had used it well–the handle was worn, a piece of old, soft velcro partially worn off where someone had placed it for a firmer grip. I could sense the resonance of craft and skill in this hammer. I held the unique hammer in my hand, and turned it a few times, knowing that this tool would find a wonderful home in my art studio. But more than that, this tool had a bardic ancestral connection to one of the primary bardic arts I have been pursuing for some time: leatherwork.
In Druidry and broader neopaganism, we often focus on the ancestors in three…
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